Location Location Brunette

I am not in a position to buy a new house. I don’t even want to. I have no aspiration at all to own a 5 bedroom 15th century barn conversion with contemporized granny annex situated somewhere in the heart of a downy sun-kissed valley in the Wirral.

And yet I find myself inexplicably glued to the telly whenever Location Location Location is on.

Well. Actually no. It’s not that inexplicable.

It’s the lure of Kirstie Allsopp.

Now, don’t get me wrong, Phil Spencer, her co-presenter and male counterpart is a great bloke. Sort of a lumbering, genial, Bungle without the bear suit. For an estate agent – or the equivalent thereof – he’s an amazingly decent bloke. Patient, kind, a quip for every occasion up his Stretch-Armstrong sleeves and a knack for finding amazing properties that match his client’s often absurd briefs (I want a 7 bedroom bijou apartment in the middle of London surrounded by 96 acres of unspoiled forest with a salmon lake at the bottom of the garden).

But it’s Kirstie who sells the show to me. She’s feisty. She’s smart. She doesn’t pull her punches for all she may cushion them a little with the kid gloves of televisual diplomacy. She’s not afraid to lock horns with her clients and tell them how ridiculously unrealistic they are being (You want a 1.5 million pound mansion house with stables and a riding school but only have £450K in the pot – it ain’t gonna happen).

But I’ll be the first to admit her attraction is something of an enigma. She’s mumsy. Her voice is kind of plummy and whiny all at the same time – like someone who has graduated with honours from Enid Blyton’s Mallory Towers (which for some strange reason I read as a child). Her mouth is slightly duck-like. Her nostrils flare noticeably when a particularly annoying client has cheesed her off.

And yet she has correctly been voted one of the hottest chicks on TV. An accolade she most certainly deserves. As Dr Evil would say: “Kirstie Allsopp is on fire”.

She’s curvy, voluptuous and lush. She’s not afraid to plunge her cleavage down to the shiny buckles on her shoes. She’s bold and brave and not afraid to speak her mind. One suspects she’s rather dirty in the humour department. And most of all, she’s a fabulous brunette (which always ticks a huge box for me).

And did I mention the cleavage? (Is there an echo in here? Exultantly, yes!)

I’d happily buy a house off Kirstie – any house at all in fact – provided she gave me a full tour of any extensive grounds and a good going over in the wine cellar. Phil could hang around outside and deliver a few quips to camera if he wanted to but other than that he’s free to get the drinks in at the local pub. Get me a Guinness please, Phil, I may be some time in my deliberations...

So it’s really annoying when week after week we’re presented with pensive-faced, mealy-mouthed couples with £500,000+ budgets who constantly turn down the amazing houses that they are presented with for the most spurious of reasons. “Ooh no, Kirstie, I know the indoor swimming pool is precisely what we wanted but the plastic windows... oooh no, I just couldn’t live with them....” “Ooooh no, Kirstie, the house is perfect in every way but it’s facing 2 points due East when really, ideally, we’d like North by North-West...”

Speaking as someone who’s clinging onto the bottom rung of the property ladder with his teeth I find this kind of rich-man’s fickleness deeply irritating. And I think I like Kirstie most of all because she patently shares that irritation. Her clients have more money than taste, they’re getting an hour’s worth of free televisual fame and they get to spend a week of their lives getting Kirstie spread-eagled and oiled-up in numerous bedrooms across the English county of their choice.

Just what is their problem?!

Er. “Spread-eagled and oiled up”? How on earth did that get in there...? Phil, just what did you put in this Guinness?

Girl Done Good

She’s suffered some stick our Catherine has.

In the lead up to the current series of Doctor Who poor Ms Tate’s name was dragged through the mud, trampled on and urinated over worse than one of East End Gran’s hand crocheted blankets.

And I have to raise a beautifully manicured hand and say that I too was guilty of unwarranted and heinous crimes against the red headed one.

To be fair though most of us were basing our opinions on the Doctor Who Christmas Special where Catherine’s character, Donna Noble, first made her televisual appearance. It was horrific. Donna Noble was brash, screechy, snotty and LOUD. Very loud.

But you know what? None of that was her fault. I blame the script writers. It was their fault. Shoot ‘em, I say.

Because suddenly with decent scripts, decent character development and an all round softening of her character traits, Donna Noble has transformed into the saviour of the show. I honestly feel that she’s the best thing to have happened to Doctor Who (“the new generation”) since Billie Piper started wearing lower cut tops in series 2 – or did I fantasize that?

And for that I credit the script writers. Allow them to regenerate, I say (with the possible exception of Russell T Davis).

Donna Noble is a mature, self confident woman as opposed to a flighty, easily impressed twenty-something and that fact alone has injected the show with something more solid and weightily resonant than a mere lovelorn travelling companion. As pleasant as Rose Tyler and Martha Jones were their moo-cow eyes began to grate on my nerves very quickly.

Donna Noble might be in awe of the Doctor but she doesn’t think he’s perfect. Not at all. She’s aware that he’s fallible. That he needs someone to rein him in, to hold him back. To question his motives. This creates a much more equally balanced relationship. The balance of power is as close to 50 / 50 as it’s ever been. There’s 2 way respect on the Tardis and that is always going to be far healthier than the alternative: a companion constantly falling into an admiring swoon while the Doctor looks on patronizingly... aah, good human, you’re so cute!

Donna ain’t cute and I like her all the more for it. She’s intelligent and doesn’t have to be led. She can jump to her own conclusions and work things out for herself. She can contribute intellectually and meaningfully. She can challenge. And my God does Tennant’s Doctor need that. He’s a great bloke and a great Doctor but he’s needed someone strong to restrain him for a long time. Tate is at last providing that strength.

And as TimeWarden has already pointed out, Tate also provides a vulnerability that is based on a sensitive assessment of any given situation rather than a mawkish, girlish response. She’s morally sussed. Intelligence and worldly experience are definitely the keys to her character’s success.

The other bonus of course is that without the soap opera storyline of unrequited love constantly getting in the way the show can concentrate on what we, the viewers, really want to see: decent, well thought out sci-fi.

Hoo-bloody-ray I say. Saturday night’s are halfway decent again.

All they need to do now is get the costume department to lower her tops...

Joke.

Oh Lurcio!

I feel somewhat ambivalent about last night's episode of Doctor Who.

The Pyrovile rock monsters looked like rejects from the Transformers movie (maybe they thought the Tardis was the Allspark cube?) and sounded like a dodgy haemarroid cream. I also felt that Phil Davis - a terrific actor - was rather wasted as Lucius Petrus Dextrus (what, he can carry Chihuahuas in both hands?).

The 'limbs turning to stone' thing was rather ridiculous too. Phil Davis spent much of the episode running around like a vandalized one armed bandit. I was constantly waiting for the Doctor to score three cherries (but alas the Syballine Oracles weren't at all interested in his sonic screwdriver).

And yet the story overall did pack quite a bit of emotional punch. The history of Pompeii is well documented but still manages to move (unless you're as hard hearted as the Pyrovile of course) and the writers capitalized on this resonance by wisely focusing our attention on a select few of the town's inhabitants - making the sense of tragedy personal rather than general. The scene where Donna tries to rescue a small child from the panic before it is snatched away by its mother was superb. Very simple but it hit the target big time and Catherine Tate proved beyond all doubt that she is a superb actress in the harrowing scenes that followed.

I also liked the fact that Donna is acting as a "moral earth" to Tennant's Doctor - grounding him a little in the minutiae of existence rather than merely seeing the universe as a massive binary tapestry of what is and what is not meant to be. Their relationship is set to be far more rewarding for us viewers than the Doctor's previous travels with the lovelorn Martha Jones.

If only Donna could lose some of her Essex girl attitude when under life threatening stress... it is a little off putting to have her shout things like, "'Ere babe, no, leave it aht, wot you fink you're doin'?" etc when the proverbial is about to hit the fan. OK, I'm exaggerating a bit but I was half expecting her to whip out a white hand bag and pointy stilettos from beneath her amply bosomed toga.

The rine in Spine falls menly on the pline, anyone?

Belly's Gonna Get Yer

The fourth series of RTD's Doctor Who hit our TV screens last night with something of a greasy splat... little blobby creatures made from the excess body fat of the clinically obese were running amuck in London. Well. Not running exactly. More like waddling very slowly and occasionally hyperventilating when they passed a chip shop.

The evil Miss Foster - deliciously played by Sarah Lancashire - had come up with the ultimate diet pill that literally made your fat "just walk away". So what's the problem, I hear you ask? Well. To maximise productivity of these little creatures - Adipose, as they were called (such a stupid name, they sound like a brand of trainers) - the unfortunate dieters were being reduced to nothing but a pile of oversized clothes. Britain's burgeoning obesity problems solved in one fell swoop you might think but no... by a marvellous script coincidence both the good Doctor and Donna Noble were attempting to put a stop to it.

Ta da! Welcome to the wacky world of the BBC's Doctor Who.

Actually, it was fairly entertaining stuff and although it didn't say anything intelligent about the UK's obesity problems and the worldwide obsession with quick-fix dieting I suppose the story could be seen as mildly satirical. It just didn't go anywhere with it. The Adipose themselves were a bit of a disappointment too. Way too cutesy by half. Little blocks of lard with arms and legs and, rather bizarrely, a single solitary tooth in their little Mr Men mouths. If the Pillsbury Dough-boy and the Michelin Man ever spent a night together in unholy bodily union, the Adipose would be the end result.

But at the end of the day the Adipose were a sideshow. The real focus of last night's episode was Donna Noble's promotion to Doctor Who's travelling companion number twenty-whatever...

So, how did she do? Was she a harridan? Was she a travesty?

I'm possibly going to break ranks with a great number of people when I say that no, I don't think she was. The girl did good. Sure there was the occasional nod to the "Catherine Tate comedy persona" - mouthing "Oh my God" through the window at the Doctor for example - but other than that she was reigned in by the script and her character was given more character and less caricature. And it worked. All at once she was less annoying than her Christmas special debut and became more of a sympathetic, well rounded, likeable character. And a strong character too.

It'll actually be nice to have a foil for the doctor who isn't mooning over him and sighing over his every twitch with the sonic screwdriver. Martha's moo-cow eyes last series were seriously starting to grate on my nellies. In fact as was said on Doctor Who Confidential afterwards: Donna Noble is a "grown up" whereas Rose and Martha were lovelorn teens / twenty-somethings. The Doctor has at last got an older woman on board the Tardis and it might just do him some good.

So dare I say it? A promising start to the fourth series! And Bernard Cribbins as Donna's grandfather played a blinder too.

Well phat.

Master Baker

Look folks it was a choice between wittering on yet again about my lack of sleep or reviewing last night’s episode of Torchwood so I chose the latter... there ain’t nothing else going on but the rent. And for those of you that are wishing that I’d plumped for the former just bear in mind that a picture of me, unshaven, bleary eyed and dishevelled wouldn’t look half as good on the page as the one above.

Not that I’m sure I particularly like Gwen. I’m trying to but there’s just something intrinsically annoying about her. She’s... what’s the word...? Gobby. Mouthy. Loud. She belongs in a sitcom. Something suitably broad and tea-time-safe featuring a long suffering wife (played by Gwen) and an accident prone, perennially skint husband who blunders through life hopping from scrape to scrape. The chortles, I’m sure, would come thick and fast.

Much as they did in last night’s episode of Torchwood. After the previous 2 heavy weight outings pondering on the nature of death and undeadness the TW team played it for laughs in this week’s episode. Gwen finally got spliced to Rhys but only after overcoming a catalogue of disasters that could have been lifted straight out of an episode of Red Dwarf.

1) She gets impregnated by an alien who does the deed by biting her wrist (hey for some people I know that’s foreplay) and injecting her bloodstream with his off-world baby sauce. Kappow. Gwen is instantly 9 months pregnant and is ready to drop the sprog at any moment.

2) Rhys takes it like a man – i.e. looks totally confused and raises his voice a lot – and decides he’ll marry gravid Gwen anyway. After all he’d managed to do up his tie that morning and Gwen had scrubbed up rather nicely in her wedding dress (nice dimples, wink wink).

3) Gwen is being hunted by the alien’s mother who wants to literally rip the alien baby out of her stomach horror-film stylee and get it straight into RADA. The alien, by the way, is a shape changer and can impersonate absolutely anyone. Anyone on the entire planet... So it inexplicably chooses to look like Rhys’s mother played by none other than Nerys Hughes.

4) Del Boy and Rodney gatecrash the wedding dressed as Batman and Robin. No hold on wait, that was Jack and Ianto, sorry, getting my sitcoms confused.

To be honest it was all good clean fun. A mood lightener after the previously bleak story lines. Well, I say “clean” but one of Rhys’s mates did get eaten mid BJ by the alien mother (who I hasten to add didn’t look like Nerys Hughes at that point – this is a sitcom remember not a horror). Apparently she didn’t bite off more than she could chew... though she was possibly wondering why it wasn’t on a stick.

Which is more than can be said for poor Rhys. What kind of life is he going to have married to a woman who could arrive home at any given moment with an extraterrestrial bun in her oven? Up the duff with ET’s love child! In the family way with a Klingon kiddie!

Mind you, to be honest, Gwen’s swollen belly seemed to pass Rhys by – he couldn’t get his eyes further south than her impressively valleyed bosom. I’m sure at one point he was humming I’ll keep a welcome in the hillside...

I don’t think it’ll be too long before Gobby Gwen gets knocked up again.

Ecstasy

Ashes To Ashes made my night in a number of ways last night.

1) It featured XTC’s “Sergeant Rock”. A track that took me straight back to my school days and swapping football stickers in the playground.

2) It featured Killing Joke’s “Turn To Red” – a track from their little known first ever EP, released before they’d even been signed up by Malicious Damage records. You’d have to be a diehard fan to spot it. I am that fan.

3) DS Ray Carling, a man even more homophobic and chauvinistic than Gene Hunt himself, had to infiltrate a gay night club posing as a homosexual to get close to a target. He looks like a Village People reject at the best of times anyway and blended in remarkably well. He even looked to be enjoying himself until sweet nothings were whispered in his ear. His smile dropped faster than a nympho’s knickers at a swinger’s convention and the fists flew wild and hard. He looked like a rabbit caught between the headlights of a fast moving car. Hilarious.

4) Gene Hunt. Ploughing mercilessly through every single euphemism for anal sex and homosexuality known to man with a straight face (well, what else would he have) and his team laughing along with him... until an after footie match celebration of hugging and male bonding at their local boozer was cut abruptly short by DI Drake wondering if they were all closet homosexuals themselves. You sunk my battleship indeed. Anything that blasts homophobia and football clean out of the water is absolutely fine by me...

5) Keeley Hawes just because. But mostly because of the red, off-the-shoulder top that was so flimsy it accentuated every movement and jiggle underneath it. Officer I’ve been a naughty boy and need to be taken into police custody immediately. I may have to be restrained and frisked. Please, please don’t go easy on me...

Sheer ecstasy.

A Streetlamp Sputters

It’s probably naught but delusion and arrogance on my part but I am convinced that the writers of Torchwood are paying attention to me.

Can it only be last week that I called for a nice, sensitive soul mate for Toshiko – somebody who would revitalize and titillate her feng shui, respond to her dazzling intellect and persuade her to wear lower cut tops and mini skirts?

Ok. So Adam ‘the memory fiend’ was hardly nice or sensitive (though convincing Ianto that he was a serial rapist and murderer possibly makes him a comedian) but he did deliver on the lower cut tops and the shorter skirts. For this alone he has my undying thanks.

The Radio Times blurb for this episode promised that Toshiko would be transformed into a “sexually voracious” vamp.

Oh good-oh!

But what did we get? A tiny bit of spooning on the bed and a bit of moist lipped pouting. Oh and Toshiko’s oft hidden bosom thrust provocatively into Owen’s face. That’s hardly what I call “sexually voracious”.

But I suppose this is the BBC. So what did I expect?

Hence I was a bit disappointed on that score. Sigh... two paces forward and one pace back, etc... but a plunging neckline is still better than a smack in the kisser with a dead alien blowfish.

As for the story. At last! Some decent sci-fi! I was gobsmacked. The script was good, the acting top notch and the plot was actually really well handled and emotive. And they packed an awful lot into one hour.

Most of all though, I felt actual sympathy for all the characters. This is a Torchwood first. A character driven storyline rather than one reliant on BBC standard special effects and second rate Americanisms! Wow! Torchwood in top-notch British drama shock!

Karen and I watched the entire episode in silence and when it was over just turned to each other and said, “That was good.”

Stuff the Baftas, that’s an accolade worth having.

Meat Feast

I wasn’t going to write about Torchwood today, saving myself instead for the Gene Hunt-esque glories of Ashes To Ashes tonight but last night’s episode just sparked off far too many thoughts for me to leave it alone.

Firstly, the plot revolved around a huge alien that some nasty men were carving up alive as a source of cheap meat. No matter how much they sliced off, the thing just kept regenerating and growing bigger and bigger.

Now that’s what I call a real cash cow.

Anyway the alien looked like a cross between a huge meatloaf with eyes and a giant sock puppet from Playschool circa 1975. I half expected it to have coat button eyes. Even more curious, Captain Jack seemed to empathise with it in a closed-eyes, hands held out, hippy kind of way.

I’m not sure what the writer’s were trying to suggest with Jack’s latent ability to identify with a humungous piece of meat but hey...

Also the entire Torchwood team ended up in the back of a meat van (curiously un-refrigerated) at one point. Again, I found myself wondering if this was at all significant or symbolic...

And Gwen.

Gwen, Gwen, Gwen. Bless her freckly gap-toothed cutie-pie face. She did a lot of impassioned reasoning with her boyfriend, Rhys, last night. Lots of fists clenched tightly and slapped rhythmically against her admittedly impressive bosom.

It reminded me of someone and it took me until the end of the episode before I finally twigged who it was.

Bonnie Tyler.

I’m not joking. Acquire a clip of Gwen with her little fists hammering against her own chest furniture and stick “It’s A Heartache” behind it and I swear to God you will not be able to discern the difference between the pair of them. Gwen and Bonnie that is.

And finally... Ianto is doing his best to turn into Patrick Macnee and Tosh is chasing Owen. No no no to the latter. Owen is patently wrong for Tosh. She needs a sensitive soul who can revitalize and titillate her feng shui, respond to her dazzling intellect and persuade her to wear lower cut tops and mini skirts.

Oh and possibly thigh-length boots (stiletto heels optional).

Owen is too rough and, dare I say it, too tiresomely chauvinistic. And he has a mouth like Morph from Take Hart. Hardly suitable boyfriend material for a delicate Asian wallflower.

Other than that did I enjoy it, I hear you ask...

Curiously yes. Oddly emotive and decently weighty.

One big annoyance though: Gwen’s boyfriend, Rhys. What is she doing with him? The guy is a buffoon. A plonker of the first order. He sees an alien himself but then refuses to believe Gwen when she reveals that she sees them on a daily basis. Gah! The man is a huge, lumbering, brain-stem free, meat-head.

The nasty men should have been carving him up instead...

Another slice, anyone?

The Sunday Bodice

Sunday evenings have become bodice and bonnet night in our house.

The Beeb’s recent costume dramas – Cranford and Lark Rise To Candleford – have gently melded into one quietly glorious bosomy soap that appears to be set in some hazy non-specific Victorian period where smallpox, rickets and plaguey prostitution are virtually unheard of.

At least they don’t appear to have touched the lives of the cloth-capped and lace-collared villagers who play out their small, Hardy-esque existences in the wonderfully constructed BBC sets purely for our televisual entertainment... and never for our ill humour.

If the villagers had television sets I guarantee they’d all be tuned into Songs Of Praise.

And yet, for all there is a distinct lack of engorged bodices being pantingly ripped open Andrew Davies style, the writers have still managed to craft dramas that are both engaging and absorbing.

And feature Julia Sawalha.

As I’ve mentioned before, Julia – much favoured British actress of this ‘ere blog – seems to have cornered the market for chaste, wryly laced up dramas where the bodice’s are not so much ripped open as securely fastened for most of the time with the slightly pouty suggestion that they might be loosened a little bit later but only when the cameras are switched off or you’ve switched to another TV channel...

Cue raised eyebrow, a quirky smile and a slight flash of wrist and that’s about as risqué as Julia gets...

And I’m loving it.

In Lark Rise To Candleford the sexuality is repressed and understated. Its mouth has been washed out with lye soap and stuffed into clothes so starchy the collars could support the Severn Bridge without buckling. Looks and smiles are exchanged in substitution for bodily fluids. A blush and a stammer are acts of wanton desire and impropriety. The sex lies in what isn’t being said between the parties.

Not everybody’s cup of tea I grant you but much as I’d like to see Julia jiggling herself out of the enviable confines of her corset I also recognize that I’d be disappointed in her if she did. Does this make me a hypocrite of some kind? Am I impaled on the horn of a dilemma so old, boring and completely trad that feminists themselves no longer acknowledge it with anything more than a slight sigh and flinty eyes rolled skyward?

The old angel / whore dichotomy?

Who knows?

All I know is that Julia looks damned fine in a corset and damned fine out of one.

As dichotomies go, it’s one (two?) I can quite happily live with for a few Sunday’s more.

Lark rise indeed.

Jacking Off

The new series of Torchwood lit the blue touch-paper last night and flared up for another run on the BBC.

Straight away we were presented with a rather well mannered, well spoken, red blowfish driving a snazzy sports car around the windy streets of Cardiff. He didn’t exceed the speed limit, used the brake in plenty of time and seemed intent on following the Highway Code. He was even urbane enough to let an old lady cross the road in front of him. All this before he shot some poor innocent home owner in the gut and taunted the Torchwood crew members for their namby-pamby prevarication. The Torchwood team admittedly looked at a loss as to how to react without their AWOL leader, Captain Jack Sparrow, sorry, Captain Jack Harkness around to tell them what to do... But all was not lost. Suddenly Jack reappeared and shot the blowfish in the head in a scene reminiscent of The Fifth Element. “So, does anybody else want to negotiate?”

Welcome to series 2 of Torchwood.

A rather uncomplicated plot then unfolded involving Captain John, one of Jack’s old flames, played by whatsisface who played Spike from Buffy looking for some radio-active canisters inexplicably secreted around various Cardiff locations... a plot that was rather silly and shallow but was nonetheless rather entertaining. It served no other purpose than to re-introduce or, perhaps, try to reinvent the Torchwood regulars... attempts are being made I believe to render them “more likeable”. It’s early days yet to say if that is working or not but the major players are all interestingly interconnected in a bubbling web of sexual tension, lust, sarcasm and camaraderie that is certainly full of potential and could bode well for future episodes.

Basically Torchwood is Doctor Who with lashings of sex and attitude. The only members of the team who seem to buck this trend are Ianto Jones and Toshiko Sato... the former is far too wet and limp to be a believable love interest for Captain Jack H and Toshiko is well, Velma from Scooby-Doo.

However, I like Toshiko and am hoping the writers will develop her character further in this second outing of the show and give it a bit more of an edge. The potential is certainly there given her brief lesbian liaison in Series 1...

And then there’s Gwen. It’s taken me a long time to make my mind up about Gwen. It’s the annoying voice and the gap-tooth. Is she a fox or isn’t she? She’s got va-va-voom in spades but there’s something of the fishwife about her too. Or should I say “tidy wife”? The will-they-won’t-they tension between her and Jack is more annoying than an entertaining tease. I wish they’d just get on with it and move on. It’s hardly of the same calibre as Mulder and Scully. It doesn’t warrant this long, contrived abstemious delay. Get ‘em out, whop ‘em about and then show us some more aliens.

That would be a show.

But much as I enjoy this tour of sexed up sci-fi, shouldn’t there be more to Torchwood than just adult content? Shouldn’t there be more to it than all this inter-species spooning and inter-office bed-hopping? Doesn’t there need to be?

Good sci-fi needs to press a few intellectual buttons among the hi-tech barrage of flashy effects and glistening cleavage. Otherwise it runs the risk of being all gimmick and no content. And that is bad.

Torchwood has potential. It has legs. But it needs to think about the direction it’s walking towards. Sex and violence – shallow hooks as they are – are admittedly nearly always behind a great story. But there needs to be depth too. There needs to be philosophy and a message. There needs to be content.

After all, isn’t great sex supposed to originate in the mind?

Darlin' you give love a bad name...

** Spoiler warning!! **

Shock ending to the BBC's Robin Hood last night.

Dirty Git of Gisbourne killed Maidenly Marian! And after I'd spent hours on-line accumulating loads of pictures of the gorgeous Lucy Griffiths purely to illustrate my throbbing reviews of the show!

The dirty rotter!

Mind you, he'd been pushed to the limit poor lad. Marian, I must admit, had become something of a prick-tease over the recent weeks:

First she promised to marry Robin. Then she pretended to give Gisbourne the green light, abusing his leathery northern affections to wheedle out various advantages for Robin and his mucky men. Then she regularly snuck out from the castle to feed the poor, right the occasional wrong and spoon Robin like a good 'un. Then Gisbourne caught her, covered up her illicit activities to save her from the wrath of the Sheriff and out of the goodness of his own heart revealed that he was embroiled in a plot (with the Sheriff) to kill good King Richard. Marian naturally begged Guy to to do the decent thing - i.e. not kill good King Richard - and promised that if he thus came good she would reward him by doing the indecent thing and... er... let him come good in another way...

And then the naughty girl marries Robin Hood on the spur of the moment whilst tied to a wooden stake out in the middle of the Arabian desert. Make up your bloody mind girl!

And then she makes the mistake of rubbing it into Gisbourne's face in the last few minutes of the episode. Doh! That's just asking for trouble, that is.

The inevitable happened. The poor man snapped. You could see it in his black leather trench coat. It flapped slightly more stiffly than usual and then he shoved his dirty great sword right up and through Marian's rather saucily curved belly.

I'm sure I don't have to belabour the link between swords and the male reproductive organ...

Anyway, that's twice Gisbourne has stabbed Marian now. Feeling a mite frustrated are we, Guy?

As for Marian, she must be wondering what the hell she did wrong. I mean she does everything to get laid and instead gets laid low with a ruddy steel blade. Forever. One last snog with Robin and she pops her Laura Ashley clogs to flit up to the great Sherwood Forest in the sky.

Gone forever.

The best thing in the entire show written out.

My motivation to watch the show has lessened considerably. And to make it even worse they even married Djaq off to Will Scarlett and the pair decided to settle down to a life of domestic bliss (?) in the Holy Land.

All the eye candy for the boys wiped out in one fell swoop.

Are the writer's insane?

Ho hum. I guess Lucy Griffiths wanted to move onto bigger, more serious, more historically accurate things... and I for one don't blame her. I wish her well and would like to add that she can wear any of her incongruous, anachronistic costumes round my way any time...

I promise to be very careful where I stash my sword.

True Romance

Robin finally girded his Lincoln green loins in last night’s episode of Robin Hood and asked Marian to marry ‘im.

His carefully prepared speech whooshed and veritably twanged with romance.

He basically compared Marian to his Saracen bow. Doh! Why didn’t I think of that when I popped the question to my wife three years ago?

Apparently when Robin first held his bow he just knew, right, that it felt RIGHT. And Marian was exactly the same.

Yes. I can appreciate the analogy. She has curves in all the right places. It takes patience and strength to pull her properly – and if you do it incorrectly you’re in danger of losing one of your most essential digits. She must be brought to the right level of heightened tension before she can achieve the ultimate release. And I dare say she’ll hum rather tunefully when Robin fires off his heavy tipped long range arrows.

Unfortunately Robin will have to wait a while to consummate the partnership as, though Marian has said yes, it’s under the proviso that he foils a plot to kill the King, defeats the Sheriff and brings good King Richard back home safely to give her away.

Typical toff bird. Can’t be satisfied with a nice encrusted ring hoiked off the end of a Bishop’s finger, oh no. She has to set the bar so high Robin may as well shoot at the moon. The poor boy’s forest green togs must be turning blue with frustration.

No wonder he keeps fingering his quiver.

Jewel

Interestingly, despite my last post being about “I’m A Celebrity Get Me Out Of Here” the comments to it digressed into a discussion about the BBC’s new period drama, Cranford and, more specifically, about England’s finest actress (in my opinion), Julia Sawalha... which just goes to show that when faced with a mountain of crap most people determinedly turn their backs on it and reach for something excellent instead.

Good on you, people.

Ever eager to capitalize on whatever topic of interest floats my reader’s boats I thought I might compose a small paean to Julia as I’ve been a huge fan of hers since her Press Gang days.

Press Gang, for those of you who don’t know, was mislabelled a kid’s programme back in the late eighties / nineties and was broadcast on ITV during their after school tea-time slot and was probably the finest scripted programme on television at the time. It was where Doctor Who / Jekyll writer Steven Moffat first cut his television writer’s teeth and certainly the scripts abound with enthusiasm, energy and movement. Which is not to say they ever descend into cheap candyfloss frippery and “zany” kid-world fantasy.

The scripts were cutting, sharp, breath-takingly funny and sometimes surprisingly harrowing in the choice of subjects covered. It was the one kid’s programme that refused to patronize its viewers and as a consequence is still head and shoulders above much of the TV guff that is thrown at children even today.

Julia played the formidable Lynda Day and for her first big TV role put in a performance so confident and self-assured it had Jennifer Saunders and Andrew Davies, to name but two, knocking her door down to offer her parts in projects they themselves were working on. I’m glossing over a huge swathe of biographical detail here but you get the picture. I believe the expression is: a star was born.

Since then Julia has appeared in dozens of period dramas – a period drama is now no longer believable unless Julia appears in it – Jonathan Creek, Faith In The Future and provided voice overs for plasticine chickens in Nick Park’s Chicken Run... and loads more besides.

You’ll notice I am staunchly refusing to make jokes about stuffing birds, or asking if anyone would care for a leg or a breast. I am above such things.

Anyway, despite a career spanning a good 20 years Julia has always retained a freshness and vitality that positively shines out of her whenever she appears on TV. She’s a class actress and it’s a real delight to see her in Cranford (and back being a brunette – I never cared for the blonde look she adopted in Jonathan Creek) though as TimeWarden pointed out in his comments to the previous post, she is now alas “looking older”... but is that necessarily a bad thing? She looks good, she looks natural and she is (according to the Radio Times) no longer living in the smoke and druggery of London but is immersing herself in the wilds of Somerset – immersing herself in a greener and healthier lifestyle, growing veggies and taking an English degree.

Exactly like me in fact. Except I’m not growing veggies, or living in Somerset, am not female and am not a class actress. And I can’t fill out a corset half as well as she can.

But I am a brunette. Totally natural, you know.

Enough! God bless you Julia! You’re great, you are.

Right. Gushing over. What can I moan and snipe miserably about now...?

Toenails

A few weeks ago I wrote a piece that lamented the fact that Josie Lawrence and Tony Slattery were no longer to be seen on our television screens. And then a mere week later Josie Lawrence popped up in the BBC’s Robin Hood. A direct hit and no mistake.

Well, folks, call it luck, call it a fluke, call it psychically synchronized schedule programming but I’ve scored a double.

Last night saw Tony Slattery also attempting a TV comeback in the BBC’s Robin Hood.

Tres bizarre.

Have I got the televisual Midas touch? Have I got the power of the Mysterons over the casting department at the BBC?

Well, hey, let’s put it to the test shall we? If there’s anybody you’d like to see on TV – or to be precise in Robin Hood – then leave a comment and let me know and I’ll see what I can do…

Personally I’m still working on having Lucy Griffiths appear in nothing but a Cornish fishing net but I’ll be happy to make room for other requests too.

As for Tony… well it was both a pleasure and a tragedy to see him back on TV. The poor man looked dreadful. Disturbingly over-weight – though he was never a svelte ballet dancer – and eyes sunk further than the Titanic. Karen assures me it was just heavy eye make-up but personally I don’t think the Robin Hood make-up department are that good.

It’s plain he’s been ill and that’s sad to see but let’s hope that this outing is the start of a major health and career recovery. Though being shot in the man-boob by Robin Hood can’t have been good for his cholesterol.

Yes, there was death and carnage a-plenty in last night’s episode. Tony’s Canon of Birkley was punctured by Robin but only after he’d skewered Marian’s father, Edward, on the end of his jewelled dagger. Ooh the cad.

Personally I think this was a good move on the part of the writers (and it’s not often I agree with their plot decisions) as it frees Marian up to join Robin in the forest and pushes their burgeoning romance a little further down the road to soft pornography. Did I say soft pornography? I meant to say family centred fulfilment. Ahem.

For the Robin Hood nerds among you, you’ll no doubt have noticed that last night’s episode doffed it’s cap to not one but two episodes of it’s forerunner Robin Of Sherwood. The story of a young man coming to rescue his love from the evil clutches of the Sheriff was redolent of the "Alan-A-Dale" story in the first series of Robin Of Sherwood and the scene where Edward sneaks into the Sheriff’s bed chamber to steal the keys to ye olde safe was a salute to "Seven Poor Knights From Acre". It’s good to see the writer’s acknowledging Richard Carpenter’s far superior series…

Lastly folks, my favourite anachronisms from last night’s episode:

1) John of York’s protestations that he only had 10 shillings to his name. Shillings? Shillings? Surely the coin of choice in the 1100’s was the mark?

2) Robin and his merry men all wearing cowboy hats and duster coats as their latest disguise. “I say Gisborne, have you seen Robin Hood creeping about the castle?” “No Sheriff, but I thought I saw Clint Eastwood and Clyde the Monkey poking about your oubliette…”

Yes…

Much really needs to get rid of those ginger sideburns…

Only ‘Cos It’s Josie

I honestly was going to give my reviews of Robin Hood a break because I recognize that most of you who read this blog don’t (if you were honest) give a rat’s ass about the show and have merely read my Hoody guff out of kindness and saint-like tolerance. So I was determined that I’d ease off on the Robin Hood obsession and only let it impinge upon my blog when a real episode of true note came along.

See, I do try to be considerate.

But, you see, Josie Lawrence happened to be in last night’s episode and I’m a big Josie fan. As you know, just last week I’d been lamenting upon her disappearance from our TV screens and then lo and behold she pops up bold as brass in Robin Hood… it was simply too good an opportunity to miss so, dear long suffering reader, I do apologize... but I will try and keep it short.

Josie played a foul-mouthed wise woman / witch who wore a headscarf thing that made her look like a cross between a clichéd gypsy fortuneteller and Captain Jack Sparrow. She also played her part with a northern accent – my accent spotting skills aren’t so good that I can pinpoint it exactly but it was definitely from oop North, by ‘eck – which is fine but just looked and sounded completely incongruous because I’m so aware that Josie is a West Midland’s girl in real life. But, to be fair to the show, I dare say a Brummie accent would have stuck out like a sore thumb… and that just wouldn’t have done for a show that takes such painstaking efforts to achieve unimpeachable period accuracy.

Cough cough.

Despite the cossie Josie was fine and gave a solid, earthy performance and had all the best lines. Calling Keith Allen’s sheriff a “snot ‘ead” was particularly memorable. I really must read the Magna Carta more closely if such robust terminology was in common usage at the time.

She also got to sit on the wrong end of a ducking stool. Unfortunately any side-thoughts that I may have entertained about ye olde wet T-shirt contests were thoroughly smothered by a drab grey smock which looked like it had been made from sackcloth and doused in concrete. Ah well. I always knew that Josie wasn’t that type of girl… but she did get to suck upon Robin’s lengthy hose so it wasn’t all doom and gloom.

Yes – wilely Robin kept Josie alive by the use of a length of meaty hose and a magnificent pair of billows. What a thoroughly resourceful chap he is.

Meanwhile Marian was wandering around Nottingham in a rather fetching off the shoulder number and not batting an eyelid when the Sheriff referred to a physician as “a quack”. A term that I believe did not come into common usage until the period of the black death and came from the weird face masks that doctor’s wore in the hope of avoiding infection.

But who cares about such things? Marian looked wunderbar. Josie sounded like she’d stepped out of The Phoenix Club and Robin finally discovered that he had a nasty spy in his gang.

Alas poor Alan-a-Dale.

He’d been singing like a canary to the wrong side. Ye olde stool pigeon. What a turkey. Tut tut.

But the big question is this:

Could this discovery lead to an occurrence of that rare thing in this show… genuine bloody drama?

Clue: no.

But here's a gratuitous picture of Lucy Griffiths as Maid Marian to take your mind off it...

Forsooth

Amazingly, the anachronism count in last night’s Robin Hood episode reached an all time record low – which is good, people, very good indeed. Because it meant that the realism score actually went up a notch or two. And that’s a veritable first. For a few seconds I even wondered if I was watching the right show.

For once we didn’t have ye olde Mediaeval Ninja Surfing Turtles or ye olde wooden iPod’s blighting the mis en scene (see, I even know the lingo) instead we had a story about poison and revenge… or even the poison of revenge… with the result that Harry Lloyd who plays Will Scarlett actually had the opportunity to act his little Gap socks off.

A nice tight script, a fast moving story and lots of shots of Marian positively bouncing around the corridors of Nottingham Castle made for a pretty decent episode. Yes, Marian’s newfound bounce was most distracting. Methinks she’s discovered the wondrous delights of ye olde underwire bra. I have already submitted my request to the BBC that in a future episode she be dressed in a Madonna-esque pointy basque onto which various Norman miscreants can be impaled in a multitude of unlikely but erotic fights to the death.

Somehow I don’t think they’re going to go for it though.

For one thing the death count in Robin Hood is always unfeasibly low. Perhaps ridiculously so. Hence the panto feel of the show. And for another I doubt the Robin Hood costume department would be able to confine themselves to the materials of the period and we’d have Marian grinding around in PVC, black leather and cut away trousers with chaps.

Hmm. Maybe I ought to write another letter to the BBC?

Anyway the only thing that grated about last night’s episode was the unpalatably large dollop of cheese that descended on proceedings right at the end. To commemorate their murdered dad the Scarlett boys came up with some awful looking tree carving with holes in the middle of it. Very Henry Moore I must say. And when ye olde evening sun did cast its life giving rays through the holes – lo! A face of light did appear upon yonder forest cliff face that looked more like Richard Whiteley than Will’s dad – but who am I to question the boy’s parentage?

Ah phooey.

But now for the most amazing bit of all... The trailer for next week’s episode!

It stars Josie Lawrence!

Josie bleeding Lawrence!

I’m 99.9% sure it’s her and from what I can surmise she appears to be playing the part of a witch and gets to experience the ducking stool at some point. Hmm. Now there’s a fantasy that I never thought of indulging… Anyway, given my previous post where I waxed lyrical about Josie’s televisual fate and bemoaned the fact that she’s not on our tellies nearly enough these days I can only assume that the gods of television were benevolently tuning in and in their infinite wisdom decided to answer my prayers…

I wonder if I’m on a roll?

Hmm.

"Dear BBC,

About Marian and this pointy PVC basque…"

Robin Hood? Corset Is!

Welcome back to Robin Hood watch. Well, Marian watch really…

Yes, while South Africa were trouncing England 15 – 6 in Paris (well really, what did you expect?) I was watching Robin Hood trounce Guy Of Gisbourne in Loxley. Not a Loxley that the people of the time would have recognized of course – not with the manor house done up like Henry VIII’s pantry – but an approximation of Loxley nonetheless. At least that what the show’s annoying titles tell us anyway…

God they're irritating!

A change of location and the name whooshes across the bottom of the screen accompanied by the sound of a launched arrow. Twang, whoosh, thud. I’m just waiting for someone to have their eye taken out by “Loxley” or eviscerated by “Nottingham Castle”. Now that would be a show.

Talking of having your eye taken out… in this week’s show Marian was daringly sporting a rather uplifting pea-green corset which she quite brazenly wore around Nottingham Market while she tried to draw as little attention to herself as possible in order that she could enjoy a secret tryst with Robin Hood. I suppose it’s like the old joke of the naked female bank robber – no one got a good look at her face…

Hilarity of the night (aside from the Rugby score) was Gisbourne staggering about in an impenetrable suit of armour that looked like it had been made on Blue Peter out of some old cereal boxes and a Tesco blue stripe roll of tin foil. Apparently it was supposed to be Damascus Steel – an early example of, well, steel actually, and having Googled it, it does appear that for once the show’s writers managed to put down their mochaccinos long enough to do a bit of genuine research. If only the costume department had been up to the job of actually making it look like real steel. I mean how difficult could that be?

Anyway amid much gurning from Keith Allen’s Sheriff, Robin dealt with the armour-clad Gisbourne easily enough: a liberal application of pitch and a flaming arrow somewhere in the groin area. Sadly it bounced off Gisbourne’s Sheffield Steel (well, he is Northern…) but not before the flames had ignited the pitch and turned Gisbourne into the Wicker Man.

Cue a quick dive into a handy watering trough which the good villagers of Loxley happened to have standing by. It was well steamy.

Ye olde sauna newly invented!

Here’s hoping that Marian will take a lengthy and unapparelled dip in next week’s episode…

Gott In Himmel

Some absolute howlers in Robin Hood last night:

1) A Las Vegas style gaming table in Nottingham Castle complete with ye olde bunny girls displaying more cleavage than Pamela of Anderson giving an adult mummer performance at ye olde village moot.

2) Marian kitted out in a rather fetching scarlet riding outfit topped off with a "Robin Hood" feathered cap motif - Errol Flynn stylee - and make-up immaculately applied by Gok Wan.

3) Dexter Fletcher playing the totally unbelievable Prince Frederick of Hanheim, exasperatingly be-costumed in a modern looking DJ while playing at the gaming tables and with a German accent so bad it would have been perfect for Allo Allo.

The writer's are just out-and-out taking the Michael. It's the only explanation for such blatant anachronisms. I get the feeling they've just thought "sod it - let's do what the hell we like and get people writing and talking about the show!"

Smart-arsed little buggers.

Anyway, Marian, I have to say, looked distinctly ravagable and although it's a terribly shallow premise to watch a show it's better than doing so because I think the show is historically informative... I mean, please!

The writer's seem to be making good their promise to sex Marian up a bit and had plunged her neckline so low in last night's episode that we nearly saw her Nightwatchman's quiver. Nice to know that Robin has somewhere to hide his bow in emergencies...

The costume department also outdid themselves with Djaq, the female Saracen warrior who has conveniently joined the Merry Men purely for modern political expediency and correctness. Stuffed into a ballgown straight off the shelves of Laura Ashley she scrubbed up rather well and the Merry Men's arrows flew a darn sight straighter as a consequence...

Merry Men? Not quite but undoubtedly getting there...

Nigella Revisited

I received something of a shock phone call yesterday afternoon. It seems a hack from the London Standard had found my Nigella Espresso post and wanted me to comment on a recent article in the newspaper that voiced the opinion that Nigella has become so verbose in her descriptions of recipes that her cook books were actually alienating the small percentage of the UK population who have a below average reading ability.

I was glad to oblige and managed to rustle up something quick during the afternoon, Steve Express style. I don’t know yet if it’s going to be used (I’ll keep you posted on that, naturally) but thought I’d post it here for your perusal.

First: a few excerpts from the original article:

“Nigella's recipes are a bit of a mouthful, say literacy experts: ‘Too many adjectives make her instructions difficult to follow’”

“A survey has found that the chef’s verbose style makes it harder for adults with poor literacy skills to follow the instructions.”

“According to the study, [Nigella] uses long sentences, too many adjectives, extra commentary and personal observations.”

“The survey, carried out by the Government's Get On campaign, looked at a variety of recipes from Smith, Lawson, Nigel Slater, Jamie Oliver and Gordon Ramsay.“

“It found that Slater was the easiest chef to follow, with all his recipes reaching the entry level three standard, or that expected of an 11-year-old.”

“Ramsay said: 'I'd hate to think there might be people who aren't giving cooking and new recipes a go because they are worried about the reading, writing or maths side of things. Brushing up on their literacy could make them a better chef, as well as improving their life.'”

And my pro-Nigella response:

Re: "Nigella's recipes are a bit of a mouthful, say literacy experts"

It's rather amusing to read that a survey has flagged up Nigella Lawson as being too literate for a small percentage of the UK working population and that "too many adjectives" apparently make her recipes difficult to follow.

Too many adjectives? What kind of a criticism is that? Isn't that like saying that Mozart's “The Magic Flute” contains too many notes? Will the removal of all adjectives suddenly render Nigella's cookery books readable by absolutely everybody regardless of their literary skills?

I think not. Poor literacy is as much to do with not understanding syntax, grammar, nouns, participles and verbs as teasing out the meaning of a hundred assorted adjectives though, I'll admit, if you find reading difficult, a wall of purple prose is hardly going to fill you with much enthusiasm.

The real criticism that can be levelled against Nigella then is one of style and I guess you either appreciate her yummy-mummy gastro-gushing or you don't. If you don't then you can always give Nigel Slater a go as, according to the same survey, he is infinitely easier to understand. I'm inferring it's because he uses less adjectives and his cook books are therefore more plainly and simply written. Dull and boring by any other name. Nigella's fans like her because she is so fulsome in her descriptions, because she does go OTT about the colour of cantaloupes and the odour of aubergines. She's sensuous, lush and evocative (which is obviously Nigella's schtick) and her verbal descriptiveness, whilst a sort of taste sensation in itself, actually adds an extra layer to our appreciation of her recipes. Her words enrich our tastebuds as much as the ingredients she uses. But most of all she's entertaining. This is rather an important quality in a TV chef. And it's practically impossible to be entertaining without flinging the odd adjective about...

So why should a small percentage of the population be denied access to this entertainment just because their literary levels fall below that of the national average? Surely the main problem is that 16 per cent of the adult working population have been failed by the Education system? More effort needs to be put into improving these people's literacy levels beyond that of an 11 year old and not in asking our TV personalities and celebrities to dumb down. For Heaven's sake there's enough dumbing down on our TV's as it is. We need to start smarting people up! Isn't it preferable to have our famous TV chefs - normally shrivelling the airwaves with language that would embarrass an East End porn star - actually pushing us to stretch our vocabularies as well as our culinary experiences?

As F word aficionado Gordon Ramsay himself says of people with reading difficulties: "Brushing up on their literacy could make them a better chef, as well as improving their life."

In the ineffable greyness of much of modern life, a bit of purple prose is surely the recipe for success?

Nigella Espresso

Baptitious kitchen chatelaine, Nigella Lawson, kicked off her new “good food fast” cookery TV series last night – “Nigella Express” and not, as I’d hoped, “Nigella Espresso”. Hmm. It seems that my idea for a raunchy bedroom-based dessert focused TV pilot has been turned down flat by the bosses of Channel 4... I can’t understand why. I mean if they’re happy to invest money in Gillian McKeith intimately examining other people’s poo why not fling a few tenners my way to buy a spatula and an industrial barrel of whipped cream?

Anyway, gripes aside, it was good to see the dusky voiced one back on the telly and doing her damnedest to insist that her plainly glamorous life is anything but and is, in fact, as humdrum as that of the rest of us. Hmm. I don’t think so Nigella. My entire family could live in your walk-in pantry and never have to go to the supermarket again. Ever.

But I think that’s part of Nigella’s appeal. The slightly embarrassed and guilty glamour-puss seductress coupled with the “oh I’m so dowdy really” yummy-mummy modesty. That and the cow-eyed looks over the garlic grater and the coquettish lip moistening as she manhandles the biggest sweet potato I’ve ever seen in my life. No wonder Nigella has one of the biggest male fan bases of all the TV chefs.

Apparently she’s horrified by accusations that she deliberately sexes up her cooking performances but I’m sure she’s also clever enough to not mess with a schtick that plainly works. Besides which the sensual element definitely adds an essential layer to the recipes and is an integral part of the Nigella ethos – whether it’s there deliberately or not. Nigella is all about pleasure: the pleasure of food and the pleasure of life. And it would be a sad individual indeed who objected to that.

The main thing though (as has been pointed out by a reader of this blog, Lucy) Nigella is smokin’ hot. At 47 she’s looking damn good. If that’s what big puddings do for you then I’ll take double helpings please.

Talking of which, last night saw Nigella tenderizing a couple of pork chops with a rolling pin. The way she moved was, ahem, mesmerizing to say the least.

Anthony Worrall Thompson – though he could easily emulate the upper body motion – would not have had quite the same effect...

Geeks?

Yesterday, terminal work boredom was relieved somewhat by a lovely email from my gorgeous wifey, Karen. Knowing I have a slight penchant for breakfast TV cleavage queen, Lorraine Kelly, Karen had supplied a link to a feature on MSN Entertainment about “Geek Chic”.

The feature, although not particularly in-depth, called us all to celebrate the oddballs and misfits of the celebrity world – the stars that we are “afraid to admit [we] fancy”. On the face of it this seems a great idea. Anything that bounces people out of the size zero hero-worship that taints modern society has got to be a good thing, right?

And yes, having scanned through the list of misfit celebrities there are plenty that can be termed geeks and misfits: David Gest, Louis Theroux, Jade Goody... I could go on.

But there are plenty on the list that I think are not geeks or misfits at all. They just don’t adhere to the stick-thin ethos of the media and fashion world. Lorraine Kelly, Fern Britton, Kirstie Allsopp – all highly attractive women (in my opinion) and eminently fanciable. Hubba hubba, etc.

So why does bucking the size zero trend automatically label you a geek? Or even a misfit? Why should I be ashamed to say that I think Lorraine Kelly or Kirstie Allsopp are attractive women? There are countless men (and women) out there who’d be glad to tickle Lorraine Kelly’s fancy on the GMTV sofa or give Kirstie Allsopp a quick look at their basement extension in the privacy of their own home... and they’d be damn proud to brag about it too.

And then it got me thinking about the rest of the list and at what point my opinion diverges from that of the author. Are David Gest, Louis Theroux and Jade Goody geeks just because I don’t fancy them? Or because the person who wrote the feature doesn’t? I mean I don’t fancy Catherine Zeta Jones or Keira Knightley either but does that make them geeks too?

If someone is attractive