Birds, Bees And Tee-Hees

The funniest comedians are physically unattractive. Discuss.

We were talking about comedians at work this week and being a shallow lot the discussion quickly moved on from merely which ones we thought were funny to those we thought were attractive. And it quickly became apparent – certainly from the males – that if they found a female comedienne attractive they tended not to find her very funny. But this was OK. This lack of comedy skill was forgiven totally provided there was the redeeming presence of a nice face, or nice tits, or a nice arse. Eye candy made up for all the comedy shortcomings.

And yet those comedians we (the men) deemed to be masters of laughter were all unanimously declared – by male and female alike – to be Hound Headed Troglodytes From Planet Ugly.

Or at the very least Plain Janes and Joe Averages.

Such a judgment seemed rather sweeping.

And it got me to thinking. Is it true across the board?

On the face of it, it seems to be. A quick example: I think Frankie Boyle and David Mitchell are the funniest things on the comedy circuit period. Witty, sharp, intelligent and frequently thought provoking. Everything I could desire in a comedian. But attractive? To anybody?

Surely not (though some of you may prove me wrong). Frankie Boyle by his own admission looks like one of The Proclaimers (which isn’t a good look even for a corpse) and David Mitchell is, well, er, very funny.

As for comediennes I find attractive, Lucy Porter would be top of my list. Petite, brunette, curvy, vaguely elfin in an early Kate Bush kind of way... she’s hot hot hot. I like watching her.

But she doesn’t make me laugh. Much. She raises the occasional smile and something else but that’s about all.

Jo Brand, however, I think is much funnier and well, there you go. Argument proved.

Or is it?

I think the possible explanation for this rather sexist dissection of who is good and who is not good at comedy is centered around gender politics in a different way. Being heterosexual I don’t, by and large, find other blokes attractive. Sorry, I just don’t. Instead I seek out other admirable traits in men. Intelligence, wit, a certain coolness, etc. As for women, well, I know what I like and I gravitate towards it.

But women’s humour is just different from men’s. Stand-up comedy isn’t as broad as people think. It’s the old French & Saunders thing. Women (mostly) found them very funny while us men (mostly) just didn’t get the joke. Because it was from a strong female perspective. It just wasn’t meant or pitched for us.

Is the converse true though? Do women not get bloke jokes?

Plainly they do. So are male comedians pitching their gags to a more universal audience while female comediennes pitch theirs to a stronger female demographic?

I’m confused. Maybe there is no clearly defined right or wrong answer.

It was interesting to note, however, that some of my female colleagues found Frankie Boyle and co. not only “not funny” but also not very attractive as well. They lost out on both counts.

How funny.

I guess there’s no accounting for taste.

But as long as everybody is happy and getting their laughter injections somewhere, does any of it really matter?

The Fame Game

On Monday afternoon Karen and I decided to make the most of the last day of our holiday staycation by following in the footsteps of many and spending a pleasant few hours in the local park with the kids.

And by “the kids” I, of course, mean our kids specifically rather than “the kids” generally. I’m afraid the days when I’d sit on a park bench necking back a bottle of Diamond White with the local yobbery are far behind me. There are, after all, only so many cars that you can nick, joyride and leave burning by the roadside while you hold up the nearby petrol station before it all becomes a tad boring.

Ennui totally killed crime for me. My low boredom threshold made a straight man of me in the end.

So we’re feeding the ducks and some of it is reaching the birds and 33% of it is going into Tom’s mouth as he can’t bear to part with his share and we pass what looks like Russell Howard on a park bench.

For those of you who don’t know Russell Howard is an up-and-coming comedian who appears regularly on the BBC’s Mock The Week programme and is extremely funny – and I apologize to my overseas readers as Russell Howard and Mock The Week will undoubtedly mean absolutely nothing to you but the experience I’m about to recount possibly will so bear with me.

Anyway, Mr H is neither swigging Diamond White nor getting down with the kids but is doing his best to look unobtrusive and unremarkable while he talks to someone rather earnestly on his mobile phone. He is, in effect, blending in.

And indeed he would have got away with it but for an uncanny act of synchronicity... I’d bought Karen Mr H’s comedy DVD for Christmas last year but as we’re working our way through an immense DVD backlog we’d only got round to watching it the day before our visit to the park. The “Extras” package on the DVD features footage of Russell in civilian mode where he looks oddly unrecognizable from the bouncy persona he presents on TV and stage... but having seen it we were able to see through his “blending in” tactics and pick him out immediately.

It was him. On a park bench in Leamington. Him off the telly. A real life famous person. Him. Him there.

It’s funny but I always thought I’d be unfazed by a close encounter with a famous person. That I’d play it cool. Nonchalant. They are, after all, only people. Same as you and me. No big thing. Autograph hunting is for saddoes. Etc.

And yet I cannot deny there was a small part of me wanting to run up to Russell, shake his hand, say hello and act like his best mate in a manner that would have resulted in the rest of my life being spent trying to overcome the subsequent sense of shame and wince-worthy degradation.

The impulse was so strong.

But I was saved by his mobile phone. Fame be damned. There was etiquette to think of! One cannot just interrupt a phone conversation for the sake of self gratification! It’s bad form! It would be un-English Goddamnit!

So we fed the ducks and left Russell Howard in peace and he – no doubt feeling the sniper glare of our distant attention beginning to bear down on his shoulders – soon got up and walked away from us, looking smaller than he does on the telly and disappointingly un-star-like and disappeared into the milling Bank Holiday crowds of Leamington Spa.

When we got home we did a quick Google search... you know, just to see if he was playing any gigs locally which would explain his presence in the park and found this (check out the last question at the bottom of the page).

Yep. Russell it seems lives locally. He’s moved in. He’s become a Leamingtonian.

He and me are practically brothers!

Welcome to Leamington Spa, Russell! Hope you like it here. But next time you’re walking around town, keep your mobile phone handy, eh?

For both our sakes.

Highs And Lows And Somewhere Stuck In-Between

Apologies for the ragbag nature of this post but (to well and truly mix my metaphors) that’s the way the cookie is crumbling today.

First up on the blog podium is the news that I have at last been awarded my degree. I finally got my results yesterday and have come through over 10 years of part time study to be granted a good 2:1 honours class English degree from Warwick University. And many, many thanks to French Fancy who was kind enough to ask after my results yesterday when the rest of you had clearly forgotten all about them *sniff sniff* I mean it’s not like you have lives or anything...

Second up – and just because you’d have to be dead or in a coma to have missed the news this morning – it seems that reports of Michael Jackson’s death have not been exaggerated... though part of me, the cynical part, is wondering if it’s all a scam and he’s faked his own death.

Isn’t that awful?

I must admit, although it’s sad to hear of his death – he was after all hugely talented (though even a hugely talentless person’s death is sad news) – the news reportage and media accolades are cheesing me off something rotten. This is the same media that only weeks ago was joyously slagging him off for his financial problems and his dodgy history of alleged misconduct with children whose parents were keen to have their kiddie-winks associated with the self proclaimed mega-rich King of Pop.

I mean at one point you couldn’t move on the telly without every celeb going taking a pot-shot at MJ’s rumoured paedophilia. The air waves were full of jokes along the lines of: does Michael like The Backstreet Boys or does he prefer Boyz To Men? And comedians even now still wheel out an obligatory Michael Jackson joke during their many and varied routines. Because let’s face it, it’s easy enough to do.

Suddenly though, today, the media world is full of po-faced accolades and high-falutin’ laurels from all and sundry announcing with fine gravitas that The King Of Pop – the Legend – is dead. Sob. Sob.

Spare me.

*sigh*

Oh I don’t know. If I’ve nothing good to say, maybe I ought to just play it safe and not say anything at all?

Lastly, it’s been a weird old week. I managed to get myself stuck in a lift at work yesterday. First time in my life it’s ever happened. There I am at Council HQ (which thankfully is only 4 storey’s high) and the lift cuts out between floors 3 and 4. From out of a tinny wall speaker I could hear Stephen Hawking announcing that the lift was “out of service”. It was good to have that pointed out.

I followed the instruction printed on the wall. I pressed the button for the operator. I didn’t panic. I kept calm. I spoke clearly. And most important of all I didn’t speak while the operator spoke. The instructions were very clear about that. It seems that in an emergency – although I am the one trapped – what she has to say takes precedence. Well fine. I know my place.

Stuck in a metal box no wider than 6ft and suspended tens of metres above bone shattering concrete.

It wasn’t the best 5 minutes of my life, I must admit, but my work colleagues had me out in a jiffy before I could entertain too many thoughts of making Hollywood style elevator escapes. I was thinking Speed. I was thinking The Matrix. Both of which oddly star Keanu Reeves.

So.

How to wrap this post up?

It’s obvious really.

The only way is up!

P.S. There is no spoon. ;-)

Comic Relief In Unintentionally Funny Shock

The Comic Relief version of The Apprentice was always going to a sure-fire laugh-a-minute for the sole reason it had Alan Carr mincing his way into SirAl’s boardroom like he was about to impersonate Shirley Bassey on a cruise ship.

But the best laughs of all came – unintentionally – from the mouth of Gerald Ratner, the ex Ratner’s jewellery retail chain director who has made a media career (almost) from verbal gaffs and interview based faux pas.

For those of you who don’t know, Mr Ratner once caused the shares of the Ratner’s jewellery company to plummet after telling a journalist that they were able to sell their products so cheaply because they were “total crap”.

One can’t find fault in his honesty or his accuracy but, really, he’s not the type of man you want on your marketing team if you’re trying to scrape together a living in the retail industry.

Mr Ratner first raised a titter when, discussing the reality of working with the insanely ebullient Jonathan Ross and Alan Carr, he turned deadpan to the camera and announced in a voice like a coffin lid being prised open with a jemmy that “he liked laughing; he liked to laugh”.

The best moment however came at the end of the show when the boys' team were trying to sell their new toy idea to a room full of high powered toy trade execs.

After a slick speech by Mr Ross and a less than slick but very funny advert voiced-over by the chocolaty tones of Mr Carr (I’m talking Fruit & Nut) it seemed the boys' team had the contest totally in the bag. The girls' team surely couldn’t compete.

Step forward Mr Ratner to give a business professional’s spin on the boy’s product...

He had to be honest, he said, their product (a utility belt to which kids could attach various collectable toys – I can still hear Alan Carr screeching “Swap-belt” on the commercial) would only succeed if a company went for broke in terms of marketing.

The selling concept had to be – and I quote – “shit or bust”.

Cue baffled silence from the audience as this sank in and Mr Ratner realised he’d possibly garbled what he’d originally meant to say.

Or had he?

Hmm.

Maybe this was the clear choice Mr Ratner faced back in the early 90’s when the Ratner jewellery designers were laying out ideas for the latest Ratner jewellery range?

Shit or bust?

The answer is obvious, isn’t it?

They were in it to make money. They were hardly going to vote for bust.

Like I said. Not a man you’d want on your marketing team. The girl’s won.

Roominations

Completely off topic this (in that this post is going to make scanty reference to it being the first day of 2009 and all that "New Year Resolution" kind of jazz)...

Whilst sitting monged in front of the telly during this festive holiday I recall hearing some news that both filled me with despair and inspiration. Well, inspiration of sorts.

Apparently Davina McCall has been quoted as saying that she believes that Big Brother can "run and run and run". I.e. Forever. For perpetuity. Until the End Of Time.

Naturally, being the presenter of the UK version of the show this is more than likely Davina's most fervent wish but my first reaction was "Oh God, is this nation never going to grow up and move away from reality TV smut and tawdriness? Are we forever going to be obsessed with the psychological ingrowing toenails of dysfunctional people who plainly do not know any better?"

Reality TV is the dark stain on the modern psyche. Some people are honest and just admit that they love it. Other people - people like me - profess to hate, loathe and despise it and yet eventually get sucked in. Even if only for a little bit.

It's impossible to ignore. The media goes wild for it. It's on the news, in the papers and, most insidious of all, in the workplace.

With a new series of Celebrity Big Brother about to hit the small screen I just know that the sole topic of conversation at work for the next month or so will be the luridly ridiculous shenanigans of the new series of CBB.

And although I'll resist at first eventually I will succumb and plunge into the whole tawdry circus because I will want to have an opinion.

And that, folks, is how it gets the likes of you and me.

Because suddenly we care. We care even though in three month's time we know that we won't care at all.

So I've come to the startling conclusion that Davina (God bless her) is right. Big Brother will run and run. We'll never be free of it. It's become as essential a component of modern living as the mobile phone. It's the norm. Like Christmas in fact. They'll soon start publishing the broadcast dates of future BB series on retail calendars that we can buy in the shops. There'll be Bank Holidays planned around it.

So if we're going to be stuck with it I've decided to throw my hat into the ring and offer some BB themed suggestions to any programme producers out there who might be reading this post this morning and are willing to take a punt or two in terms of hard ready cash to see them "realized" on TV.

1) I'd like to see a politician special. Just politicians. From all parties. But rather than having them cut off from the outside world I'd like them to be hardwired / bluetoothed to the outside world. I'd like them to continue working. I'd like them to continue working in an environment so transparent that not only can their opposing party counterparts see what they get up to but so can we. Now that would be a social experiment worth conducting surely?

Too dry? Too heavy? Try this...

2) How about all the presenters of CBeebies doing a CBB (CBeebiesCBB?) special? Chris Jarvis, Pui Fan Lee, Andy Day, Sidney Sloane all locked into the house with Mr Tumble for 3 agonizing months... Think of it. They're so pure and seemingly innocent when they're singing songs on Kid's Telly and putting their teddies to bed in the CBeebies studio every evening... but what and who will get put to bed after they've been holed up in the CBB house together for months on end? Will Pui wear her Tellytubbies costume and drive Mr Tumble wild with desire? (Eh oh?!) Will Chris Jarvis wear her cast-offs and fess up about his exact location on the nation's communal gaydar? Can they all really be that cheerful and chipper all of the time? We need to know!

Hmm. Too sleazy, perhaps? Too sick?

OK. A final punt then:

3) We dig up all of the long dead comedians and great entertainers of yesteryear - Eric Morecambe, Leonard Rossiter, Kenneth Williams, Frankie Howard, et al - and place their corrupting cadavers (or little urns - geddit?) in front of the cameras for 3 months and watch a show that will undoubtedly prove to be far more entertaining and edifying than the sad batch of Z list celeb wannabes that Channel 4 has currently got lined up for the new series of CBB this year.

I'm done.

I rest my case.

Oh and did I mention...? Happy New Year to you all!

Double Acts

Two workmen engaged on a job will get it completed in half the time, right?

Wrong.

I know this for a fact because, in my normal line of duty, I have had copious experience of dealing with both the lone contractor and the contractor who brings his mate along to help.

The lone contractor is your friend. Fact. He’s on his own, he wants to get the job done as quickly as possible and get out of your hair with the minimum of fuss and mess. Which is exactly what you want too. Perfect. I feel an inordinate sense of relief when a lone contractor turns up.

Not so when “the comedy duo” turn up.

You see a workman and a workman’s mate will always see themselves as a comedy double act. A Bit Of Fry And Laurie. Baddiel and Skinner. Morecombe and Wise if they’re both of the older generation. Never French and Saunders for some reason – but maybe that’s a gender thing.

And they will see it as their sole purpose in life to entertain you and whoever is hanging around in the office for the duration of their visit. The job will take twice as long to complete because they will inevitably distract each other. They can’t help it.

The main workman will be the guy actually doing the job while his mate will merely sit nearby, pass the occasional adjustable spanner and be the fall-guy for all the comedy gold that his partner is endlessly spouting.

And they’ll have a pre-prepared script. Little stock phrases that they’ll wheel out for the benefit of those who are in ear-shot. I guarantee that their performance will include some if not all of the following:

“See what I have to put up with?”

“You should see him on a bad day.”

“You can’t get the staff these days.

“It keeps him out of trouble / off the streets.”

“Feel this if you don’t believe me.”

“Swings and roundabouts, mate, swings and roundabouts.”

“His mother dropped him on his head as a baby.”

“I could do it but I can’t guarantee it’ll be a permanent fix.”

“I won’t bore you with all the technical details.”

“You don’t have to be mad to do this job [pause for a single heartbeat] but you do.”

They’ll also employ a fine selection of sharp intakes of breath that range dramatically in length, pitch and sibilance and thus allow you to gauge the cost of the repair accordingly.

Their banter is invariably worse (i.e. more intense and infinitely louder) if women with breasts are in the vicinity. A little cleavage will see their body posture attempt to emulate that of freshly waxed 1970’s muscle men whilst paradoxically deepening the amount of darkly furry bum crack that they have on show. They will also lie about in strangely contorted positions as they attempt to reach the necessary bit of pipe work / electrical conduit and allow their beer guts to roll around on the carpet like separate legless animals made out of tripe. This is naturally a vastly effective mating display and inevitably has the heavily breasted ladies of the office positively drooling into their Tipp-ex. Or possibly gagging. One of the two.

They will also trick you into making them a free cup of tea by employing a gag straight out of On The Buses or some other down-at-heel British comedy film of yore.

“What’s the name of that little thing that you put golf balls on?”

“A tee?”

“Ooh lovely, milk and two sugars in mine, please.”

Doh. How can I possibly defend myself against such forceful rapier like wit?

It strikes me that life must be fine indeed for the workman with a workman’s mate. You swan around all day thinking you’re Ronnie Barker. Curvy office ladies adore you. You get to handle the odd spanner or three and you sup all the free tea you can slosh into your voluminous belly. And you get paid vast amounts of money for taking 2 hours to do a 10 minute job.

Fantastic.

Hmm. I need to get me a beer gut and a comedy partner all of my very own...

Curses

Shock horror no Torchwood review today as I didn’t watch it. Karen and I elected to watch the Curse Of Steptoe instead leaving the dubious joys of Torchwood for Catch Up TV later tonight.

My memories of Steptoe And Son are hazy and incomplete. I wasn’t old enough at the time to fully appreciate its grand humour and its even grander sense of tragedy but some of the classic moments nevertheless impinged on my childhood memory and remain with me still. The scene with Albert sitting in the sink washing himself, his knees up around his ears, trying to find the soap is particularly vivid for some reason.

And I certainly wasn’t old enough to appreciate the impressive acting abilities of Harry H Corbett and it’s only now, looking back at the show, that I can’t help but wonder if it was all a waste of his talents – as fine a sitcom as Steptoe And Son undoubtedly is.

This was certainly the central premise to the BBC’s Curse Of Steptoe. If you missed it, well, you missed out big time. Two of the UK’s finest actors – Jason Isaacs and Phil Davis – made Harry Corbett and Wilfrid Brambell live again. Phil Davis is one of Karen’s favourite actors and Jason Isaacs is one of mine – mostly it has to be said because of his portrayal as Lucius Malfoy in the Harry Potter films. Isaacs is something of a chameleon. One of those actors who does little to change his physical appearance in a role and yet manages to look totally unlike himself every single time.

Last night all trace of the cold and haughty, carefully pronounced eloquence of Lucius Malfoy was gone... and was instead replaced by the broad, nasally tones of Harry H Corbett. It was a remarkable transformation.

The story of life behind the Steptoe scenes was a sad one – success tinged with failure or at least the haunting notion of unfulfilled potential; Corbett and Brambell both finding themselves hopelessly typecast and unable to shake off the dour gloom of Steptoe’s yard. All of Corbett’s much vaunted acting prowess thrown away on series after series of what was at the end of the day merely broad comedy for the masses. Gritty social commentary yes but as one of Harry’s theatre chummies intimated, hardly Shakespeare, hardly the pinnacle of what he was truly capable of.

Suddenly the scene with Harold sobbing at the futility of his situation – knowing he’ll never get out of the rag & bone trade and escape the depressing pall of his dad’s yard – takes on an immensely poignant overtone.

As I said, all this passed me by as a kid but now the tropes and the tragic irony all have extra resonance and significance now that I am a man with more than a few shattered and abandoned dreams behind me.

Not that my life is anything like Steptoe’s yard I hasten to add. I still have my goals and a few dreams that I’m climbing towards and I’m lucky that, unlike Harry Corbett / Harold Steptoe, life has thrown more than a few wonderful opportunities my way to enable me to move on and get a leg up every now and then.

And I never ever bathe in the sink.

Honest.

Sleb

I watched “I’m A Celebrity Get Me Out Of Here” for the first time last night. I wasn’t impressed.

But I did howl with laughter as ex Eastender’s chump Marc Bannerman was escorted off camp after his ignoble eviction from the show (for flirting embarrassingly with Cerys Matthews despite already having a girlfriend in tow – tut tut – the public really do not like that).

“I’m in love with two people,” he simpered.

What? Himself and his own reflection?

Twat.

Josie Lawrence

As I’ve been kicking about the house so much over the past fortnight I’ve made good use of my time (ahem) by catching up on some luxury telly – i.e. allowing myself the time and elasticity to just wander aimlessly through the channels and see what’s out there.

A lot of crap. As expected.

But I have found something of a gem on Channel Dave.

Yes. That’s what I thought. What a thoroughly dismal name for a TV station: Dave. Is there a secret joke that I’m patently not getting? It evokes a TV channel that dunks itself in cold tea, doesn’t shave for days and likes documentaries about road signage and steeplejacks and likes to pick the winnets out of its arse with a pair of nail clippers on a Friday night.

Not somebody I’d normally choose to knock about with.

However, Channel Dave is showing re-runs of Whose Line Is It Anyway? – the ones with Josie Lawrence and Tony Slattery in.

God I used to love this show in the eighties/nineties. It was the kind of show that, for a while, was worth the effort of coming home early from the pub. It had a freshness and badinage to it that was edgy and yet warm at the same time. It was also my first introduction to improv comedy and it was hugely entertaining to see so many comedy minds tested to the full in front of a live studio audience. Performing on their wits. Sometimes failing (but never completely) and sometimes scoring amazing hits.

My favourites were always Tony Slattery and Josie Lawrence. Tony ‘cos he was just dirty and extremely juvenile – the personification of my sense of humour in fact – and Josie was warm, sardonic and an amazing improvisational singer. Oh yeah and amazingly gorgeous and I fancied the pants of her.

A brunette with a sense of humour, see? Just makes me want to roll over and play fetch all day long. At least that’s what I hope the big stick that Karen is waving at me is for…

Anyway it’s gratifying to admit that the re-runs are still making me laugh and Ben seems to be greatly intrigued by them too. The twin ingredients of madcap and slapstick, I suspect, are what are wining him over as opposed to the sultry charms of Josie or the adult wit of Mr Slattery.

It’s a shame these two aren’t on our tellies so much anymore – sure, I know they both pop up here and there and they’re still treading the boards so to speak… and it’s heartening to know that Tony has recovered somewhat from the breakdown that laid him so low in the nineties… but they’re both (in my opinion) overlooked national treasures that the limelight of success has yet to define brightly enough…

They’re amazingly talented and I have to say I’d rather see them on BBC 2 on a Thursday night than the bloody awful Vivienne Vyle. I mean really. Did somebody forget to flush?

Come back Josie – you’re a star!

Bang! And The Dirt Is Gone...

Greatly enjoyed The Peter Serafinowicz Show last night, especially the Barry Scott pisstakes.

Trouble with lime scale? Just use Toilet Grenade! Pull out the pin, throw it into the bowl and BANG the dirt is gone!

His Chris Tarrant impression was likewise very impressive, capturing both Tarrant’s infuriating smugness as well as his many vocal idiosyncrasies. Though given the nature of his voice maybe that should be nasal idiosyncrasies?

The most disturbing sketch of all though was Sherlock Holmes spooning Dr. Watson in bed due to a bout of post-case-solving lust. I know Holmes liked the occasional fiddle but even so... the clash of pipe against waxed moustache was shudderingly sacrilegious. I bet Conan Doyle was turning in his urn. Or wherever it is he’s been laid to rest.

In terms of the show’s format, there are a lot of similarities with The Fast Show – lightening delivery, a mammoth turnover of ideas and sketches – though Serafinowicz tends more to the madcap than social commentary – and more characters than you can shake a jester’s stick at, with the whole thing brought (bang) up to date with constant reference to the host of Americanized cable TV channels that infect our lives, ridiculously flashy news items and badly directed television advertising...

In many ways it’s an ideal format for Serafinowicz’s many talents and one that can only work in his favour. Sketch misses the mark? No matter. Here’s another one to try. BANG and the dirt is gone!

And onto the next one...

Here’s hoping he can keep it up.

Ranking Frank

Thursday evening telly has received something of a boost lately with the return of Mock The Week. Produced by the same guys that gave the UK Whose Line Is It Anyway? it builds on a similar format to pit various comedians against each other in rounds designed to test their improv skills, stand-up abilities and ad-libbed responses to topical news stories.

It’s effing hilarious and I have yet to watch a single episode where I wasn’t howling out loud with unstoppable belly laughter. That’s no mean feat on a Thursday night; the fag end of the working week.

For me the stand alone star of the show is the formidable Frankie Boyle (though I love Hugh Dennis’s unassumingly dry wit too). With a Glaswegian accent as brutal as a head-butt in your kisser Frankie Boyle is beyond sharp. The man is viciously serrated at an atomic level (but in a good way).

Quite honestly, Frankie Boyle could split a surgical laser beam lengthways with a single quip. One wrong word and Frankie’s tongue could slice off the top of your head like Sylar from Heroes performing an ad hoc lobotomy.

The man is blisteringly funny. But even better he’s blisteringly intelligent. Week after week I watch in awe as he pulls topical news stories out of the air and reconnects them in ways that seem so damned obvious once he’s done it. After I’ve finished laughing my guts up the same thought constantly reoccurs in my head: why the hell didn’t I think of that?

The man is quick. 0 to 187mph in under 2 seconds. I actually feel sorry for the other guys he’s pitted against. They look clumsy and amateurish by comparison. It’s like racing a Bugatti against a Skoda. No contest.

Best of all the man is real. There’s utterly no bullshit with Frankie. He tells it like it is; he’d rather kick you in the teeth with the truth than sprinkle a load of Canderel lies over your tongue.

The man is absolute comedy royalty.

In fact forget Forest Whittaker as Idi Amin: Frankie Boyle is the last king of Scotland!


P.S. This is my 200th post. Huzzah!