The Death Of Magic

When I was an impressionable teen I got into magic. Or rather the idea of magic. In fact this occult interest lasted well into my impressionable twenties.

At the time the occult section of Waterstones (now, I believe, respectably entitled “Health, Body and Spirit” or some such) was bursting at its magical seams with middle class grimoires from the likes of Laurie Cabot and other darker tomes from the late, great and dangerous-to-know Aleister Crowley, who is in fact a fellow Leamingtonian.

I have to say I was swept along more by the theory than the practice though I do recall once going into an “alternative” shop in York and buying a wand that looked like a Native American phallus. All dangly feathers and a ruddy great bulbous crystal sprouting from the end of it. It languished under my bed for years until I offloaded it onto a kooky ex back in 2003. I don’t miss it at all.

As for Crowley... well I was never tempted to try out any of his Magick™, beleaguered as it was with demons, drugs and downright moral depravity but I did purchase a lot of his books. I got about 2 thirds through his immense autohagiography (for those of you who don’t know an autohagiography is supposedly the biography of a saint) before getting bogged down in lengthy "he said / she said" transcripts of various conversations Aleister had enjoyed in various privileged gentleman’s clubs across Europe. It all got a bit stuffy. I just wanted the salacious bedroom exploits and the otherworldly descriptions of the Abyss not the scripts from an Open University staff meeting.

I still own the books and have a few rarities too including a copy of his very dirty poem “Leah Sublime” (which in the modern age is no worse than a 6th form Rugby song).

I keep them now not out or any respect for magical lore but as interesting historical documents. As a figure Aleister Crowley has, I think, stood the test of time. The magical theories, I’m afraid, I now view as complete bunkum. It’s plainly obvious that Crowley was doped to his eyeballs most of the time on heroin and cocaine and various other Victorian opiates and spent a great deal of his time reading esoteric texts and then hallucinating as a direct consequence.

One story from the autohag is a case in point:

Aleister recounts an occasion when he saved a man servant’s life by wrestling a demon to the ground. It’s one of the signature notes of his autohag and makes a great read. However, that same man servant later independently recounts Aleister taking various drugs and then suddenly attacking him. The man servant was lucky to get away with his life, his dignity and his virtue intact. Enough said.

But there was more to Aleister than the dodgy magic. There was philosophy, literature, appalling poetry and a rock and roll lifestyle a good 60 years before rock and roll was even invented. He’s a genuinely interesting character and I may write more about him in the future but don’t have the room or the time now.

Laurie Cabot – an American white witch – is another case entirely. Stephen Fry met her earlier this year during one of his televised road trips across the States and she came across as an aging nutter who spent her time living in a yurt for the tourists and touting feather-based love charms for the sad, lonely and financially incontinent.

I can’t believe I ever fell for any of that crap. It all seems utterly ridiculous now.

Me and magic have, alas, parted company. I’m no longer a believer.

Which isn’t to say I don’t keep an open mind on ghosts, UFOs, and other paranormal oddities.

But magic... magic I’d like to believe in but sadly just don’t anymore. I’ve grown out of it. It’s a young man’s dream, borne out of ignorance and wishful thinking; a desire to control the uncontrollable.

Nowadays I’m more accepting of the uncontrollable. In fact part of me is rather glad that there are some things beyond my control – I can take neither responsibility nor blame for them. It’s an immense relief.

And yet...

...and yet there is a tiny part of me that is sad that I have lost this wide eyed belief in magic. The world seems a little smaller, a little greyer as a consequence. It’s like figuring out the true identity of Father Christmas. You still get the presents. Nothing physically changes in the world.

But the magic has gone.

Haunted

My usual Friday blog post last week was dropped as, quite rightly, I was busy elsewhere ensuring that my wife, Karen, had as lovely a birthday as possible...

Part of this extravaganza of generosity and celebration entailed lunch at one of Warwick’s finest eating establishments – The Saxon Mill. If ever you’re around these parts I can recommend it. I won’t wax lyrical about the menu as, really, with the best will in the world, mere adjectives and metaphor can hardly replace the reality of eating food. Suffice it to say, you had to be there. And, no offence intended, I’m rather glad that you weren’t as it would have cramped my style and ruined the atmos somewhat...

But talking of atmos...

The Saxon Mill – being (surprise, surprise) a converted mill – is built over the River Leam. On the opposite bank stands what at one time would have been a very grand old house indeed: Guy’s Cliffe House.

The legends surrounding this building are numerous. And as varied and embellished as Chinese whispers. The one strand that runs through them all, however, is that the place is haunted. Haunted by a woman who – through being jilted / abandoned / widowed / whatever – threw herself into the River Leam far below and drowned. Quite when this occurred nobody really seems to know. 500 years ago... maybe more... medieval period some even say.

Then layered on top of this legend is another one. A newer one. The building was purportedly used at one time – again in some unspecified period of history – as the HQ for a local coven of witches and Satanists. They are supposed to have used the cellars and caves that the house is built upon to carry out their perverse rites – orgies, blood sacrifices, the lot. The Butlins of their day.

Nowadays the Mason’s own the property. Nothing unusual in this except why buy a building that nobody does anything with? About 20 years ago a major fire further gutted what was already a ruin and thus the building has (barely) stood... closed off to the public, free access granted only to the crows and pigeons that roost in it’s shambolic gables. Nobody “straight and true” has been seen there for years. Certainly not by daylight anyway. All very strange.

Anyway, after our meal Karen and I took a slow saunter along the river and viewed the house from the safety of the opposite bank. I say safety because Guy’s Cliffe House gives me the freaking willies.

Partly because of the legends and the hearsay and partly because of personal experience.

When I was 18 me and my good friend, Tris, being full of youthful bravado and foolhardiness decided to put the legends to the test. Mostly though I think we just wanted to cock a snook at the Masons and so climbed over the boundary wall and took a wonder through the grounds. As it was, even then (before the fire), the house was visibly unsafe and so we wisely steered clear of venturing within the crumbling walls but we did skirt the perimeter and work our way round to the cellars / caves at the back. To do this we followed what I assume hundred of years ago would have been the old river bed.

I recall it being jungled with massive leaves and vegetation which seemed to have grown elephantine in the August weather. It felt almost prehistoric and I remember feeling quite disconcerted and dwarfed by my surroundings. Maybe this merely added to the burgeoning sense of atmosphere – who knows? All I do know is that as we turned round to the back of the house the air itself seemed to grow black in a split second. We both experienced it and stopped dead in our tracks. I have never felt such an oppressive, furious, outraged atmosphere as I did that evening. The air seemed to increase in mass and waves of anger bore down on us like a nuclear wind. That and the distinct feeling that we were not at all welcome and should get the hell out of there immediately. We both flinched under a snarl of “get out!” mentally screamed at us from a source that appeared to have no shape or form. Neither of us had to discuss it. We turned tail and ran like something out of Scooby-doo, me bringing up the rear praying that nothing was pursuing me... because, let me tell you, at the time it felt like a real possibility.

We laughed about it afterwards and shrugged it off. It was an August evening, the sun was setting; it had merely dropped down behind the house and plunged the ground level into shadow. What jolly japes. Ho ho ho.

I’ve never been back but have often wondered about that evening many times over the intervening years.

I didn’t see anything coalescing out of the air but do remember the impression of something trying to. Maybe if we’d found more courage and stood our ground we would have seen something... an apparition, an orb of light, Derek Acorah in his cheap imitation gold jewellery... who knows.

All I know is the atmosphere was unquestionably real and it produced a very real reaction in us both.

Was it a ghost? Was it our minds playing tricks on us – using the rich food of local legend to fuel a waking dream?

Or is it as someone whose name I can’t remember once wrote: human memory exists in two places – in the hearts and minds of people; and in the buildings, stones and earth that house them?

Maybe a distraught young woman hundreds of years ago, dashing out her unendurable sorrow into a treacherous river, unwittingly impressed herself onto the stones of Guy’s Cliffe House and every now and then treats foolish young visitors to a sensory cinema show where the only tickets required are gullibility?

You’re guess is as good as mine.

Sleep well, people. Sleep well.